|
|
|
|||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|||||||||||
|
|||||||||||
Personal Place of Birth: Fort Berthold Indian Reservation, North Dakota Nationality: Native American
Education Master of Fine Arts, 1994 Bachelor of Science/Education, 1982 High School Diploma, 1976
Awards Beaumont Newhall Award for Photographic Excellence National Millennium Survey Grant Wallace Alexander Gerbode Foundation Grant Artist in Residency Fellowship MFA Merit Fellowship American Indian Graduate Fellowship Exhibitions Solo Shows
Reservation Stories Images by Zig Jackson, Mandan Photographer Photographs by Zig Jackson Photography by Zig Jackson Zig Jackson: Native American Photographer Road Signs, Tribal Lands, & HotdogsAndrew Smith Gallery, Santa Fe, NM, Indian Market, Summer 2001 Entering Zig’s Indian ReservationNortheastern Oklahoma State University, Tahlequah, OK, Apr. 2000 Photographs from Indian Country Entering Zig’s Indian Reservation Homage to Fort Berthold Entering Zig’s Indian Reservation Solo Show Solo Show Group Shows
[dis]placed identity Blankets of Change Our People, Our Land, Our Images: International Indigenous Photographers Our People, Our Land, Our Images: International Indigenous Photographers Exhibitions (cont’d) Group Shows (cont’d)
Contemporary Native American Art: Zig Jackson, Victor Masayesva, and Hulleah Tsinhnahjinnie Only Skin Deep: Changing Visions of the American Self Photographers, Writers, & the American Scene: Visions of Passage Photographers, Writers, & the American Scene: Visions of Passage Four Photographers Spirit Capture Photographers, Writers, & the American Scene: Visions of Passage Shared Visions: Faculty Show Aperture’s Strong Hearts: Native American Visions & Voices Aperture’s Strong Hearts: Native American Visions & Voices Faculty Show ‘99 The Red Millennium Aperture’s Strong Hearts: Native American Visions & Voices National Millennium Survey New Voices, New Visions Aperture’s Strong Hearts: Native American Visions & Voices Contemporary Native American Photography Aperture’s Strong Hearts: Native American Visions & Voices Exhibitions (cont’d) Group Shows (cont’d)
Defiance: Black and Native American Photography Aperture’s Strong Hearts: Native American Visions & Voices Aperture’s Strong Hearts: Native American Visions & Voices Authentic Identity? Photography & Its Ethnicity Positive and Negatives Works from Permanent Collection Native Photographic Messages Master of Fine Arts Thesis ExhibitionHomage to Fort Berthold: Portraits from Shell Creek Social Identity
Message Carriers Message Carriers Message Carriers The People Themselves New Mexico Photographers Group Show Portraits of New Mexico Artists 1st Annual Quadrennial Juried Show, Best of Show/Photography Professional ExperienceInvited Lectures & Activities
Society of Photographic Educators (SPE), Southeast Regional Conference, Savannah, GA, Oct. 2007 Keynote SpeakerWashington University, St. Louis, MO, November 29, 2006 Guest LecturerSouthern Illinois University, Carbondale, IL, November 28, 2006 Guest LecturerC.N. Gorman Museum, University of California, Davis, California, Spring 2006 Guest LecturerSouthern Illinois University, Carbondale, IL, Feb. 2006 Guest LecturerJonson Gallery, University of New Mexico, Albuquerque, NM, Jan. and Feb. 2005 Guest LecturerCenter for Creative Photography, University of Arizona, Tucson, AZ, April 16-17, 2004 Guest Panelist, Symposium on American Indians and PhotographyInternational Center for Photography, New York, NY, Feb. 2004 2002 Ohio Governor’s Youth Art Exhibition, Columbus, OH, Mar. 2002 Exhibition Juror
Institute of American Indian Arts, Santa Fe, NM, Aug. 2001 Guest LecturerJoslyn Museum, Omaha, NE, Oct. 2000 Keynote Speaker/Guest Lecturer, Nebraska Art Teachers Association ConferenceNortheastern Oklahoma State University, Tahlequah, OK, Apr. 12 – 15, 2000 Modesto Junior College, Modesto, CA, June 1999 Guest LecturerC.N. Gorman Museum, University of California, Davis; Davis, CA, Oct. 1998 Stanford University, Stanford, CA, Mar. 1998 Smithsonian Institution, Washington, DC, Fall 1996 University of California, Davis, Davis, CA, Oct. 1996 California College of Arts & Crafts, Oakland, CA, Oct. 1995 Professional Experience (Cont’d)
Invited Lectures & Activities (cont’d)Headlands Center for the Arts, Sausalito, CA, Apr. 1995 Santa Fe Indian School, Santa Fe, NM, Oct. 1994 Guest LecturerInstitute of American Indian Arts, Santa Fe, NM, 1994 Native Indian/ Inuit Photographers’ Association Conference, Santa Fe, NM, 1991
Teaching ExperienceSavannah College of Art & Design, Savannah, GA, Sept. 1999 – Present Vermont College of Norwich University, Montpelier, VT, Spring 2000 Creighton University, Omaha, NE, Oct. 2000 University of California, Davis, Davis, CA, Winter & Fall 1998 San Francisco State University, San Francisco, CA, Spring 1997 University of California, Davis, Davis, CA, Fall 1996 Institute of American Indian Arts, Santa Fe, NM, 1991 – 1992
Publications/References: Southwest Art, “Zig Jackson,” April 2007 issue. Our People, Our Land, Our Images: International Indigenous Photographers, C.N. Gorman Museum, University of California, Davis, March 2007. Native Peoples Magazine, Spring 2006 issue. American Indian Art Magazine, Winter 2006 issue. alibi.com, “Signposts: Reservation Stories at the Jonson Gallery,” Albuquerque, NM, Feb. 3-9, 2005 issue. Alibi, Albuquerque Journal, “Reservation Stories,” Albuquerque, NM, Jan. 20, 2005 edition. Crosswinds Weekly, “Zig Jackson: Breaking down barriers one crack at a time,” Albuquerque, NM, Jan. 20-27, 2005 issue. Publications/References: (cont’d): The Campus News, University of New Mexico, “Jonson Gallery receives grant for Reservation Stories publication,” Vol. 40, No. 6, Albuquerque, NM, Jan. 18, 2005 edition. Albuquerque The Magazine, “Reservation Stories: The Photographs of Zig Jackson,” Albuquerque, NM, Jan. 2005 issue. Pasatiempo Magazine, “Reservation Stories,” Santa Fe, NM, Jan. 2005 issue. Tribal College Journal of American Indian Higher Education, cover photograph, Fall 2004 issue. Washington Post, “Zooming in on Indian Photography,” page C05, Washington, D.C., Sept. 16, 2004 edition. Only Skin Deep: Changing Visions of the American Self, Fusco C. & Wallis B., Harry N. Abrams, Dec. 2003. Photographers, Writers, & the American Scene: Visions of Passage, Enyeart J., Arena Editions, Apr. 2002. News from Indian Country, “American Indians and the Urban Experience,” Hayward, WI, Dec. 2001. Pasatiempo Magazine, “Zig Jackson’s Rez,” Santa Fe, NM, Aug. 2001. American Indians and the Urban Experience, Lobo S. and Peters K., Alta Mira Press, Feb. 2001. As Eve Said to the Serpent: Essays on the Contemporary Landscape, Solnit R., University of Georgia Press, Jan. 2001. THE magazine, “Group Show Strong Hearts: Native American Visions & Voices,” Santa Fe, NM, Aug. 2000.
The Santa Fean, “The Inside View,” Vol. 27, No. 7, Santa Fe, NM, Aug. 1999. Overexposed: Essays on Contemporary Photography, Squiers C., The New Press, 1999. On the Beaten Track: Tourism, Art, & Place, Lippard L.L., The New Press, 1999. San Francisco Examiner, ”Native Americans,” section C2; San Francisco, CA, Oct. 30, 1998 edition. Contra Costa Times,” Shows depict both sides to clichés,” Arts Section, page 27; Contra Costa, CA, The California Aggie, “Charismatic photographer shares his work with UC Davis,” front page; Davis, CA, Oct. 30, 1998 edition. Tulsa World, Entertainment Section; Tulsa, OK, Aug. 30, 1998 edition. Native Indian/Inuit Photographer’s Association publication, page 15, Spring/Summer issue, 1998. Creative Camera, “Images from the West,” Issue 353; London, England, Aug./Sept. 1998. Pasatiempo Magazine, “Zig’s Indian Reservation Plugs into Universal Themes,” Santa Fe, NM, Aboriginal Voices, Vol. 4, No. 4; Toronto, Ontario, Nov./Dec. 1997 ZYZZYVA,West Coast Writers &Artists Magazine, Vol. XIII, No. 3, San Francisco, CA, Winter 1997. Artweek, “Previews,” Vol. 28, No. 9; San Jose, CA, Sept. 1997. Publications/References: (cont’d): The Progressive, Vol. 61, No. 1; Madison, WI, Jan. 1997. Washington Post, “Native Americans Looking Inward,” 10/26/96 edition; Washington, DC, 1996. Art Issues, “The Postmodern Old West, or the Precession of Cowboys and Indians,” Sept./Oct. and Nov./Dec. Issues; Los Angeles, CA, 1996. Headlands Journal, “The Social Landscape at the Millennium,” Headlands Center for the Arts, Sausalito, CA, 1995. APERTURE, #39, “Strong Hearts” Issue, Summer 1995; New York, NY, 1995. Spot Magazine, Houston Center for Photography, Fall Issue; Houston, TX, 1994. Center for Exploratory and Perceptual Art Gallery Journal, "Rituals: Social Identity, View from Within," Spring/Summer, CEPA Gallery; Buffalo, NY, 1994. Headlands Journal, Headlands Center for the Arts; Sausalito, CA, 1993. Art Papers, "Native American Art in Our Language," Vol. 17, No. 5, Sept. & Oct.; Atlanta, GA, 1993. Museum of Natural History, Annual Publication; Washington, DC, 1993. The Journal of Photography in New England, "Native Photographic Messages," Views Magazine, Albuquerque Journal, "Artist Sees Erosion of Indians' Self-Esteem"; Albuquerque, NM, Apr. 1992.
Pasatiempo, New Mexican Magazine, "Zig Jackson is Keeping his Photos out of Santa Fe Galleries"; Santa Fe, NM, Aug. 1992. The People Before Columbus, American Indian Journal, "Dad's Boots," University of New Mexico, Vol. V; Albuquerque, NM, 1992. The People Before Columbus, American Indian Journal, "Commodities," University of New Mexico, Vol. IV; Albuquerque, NM, 1991. Photo Metro, Vol. IX, Issue 83; San Francisco, CA, Oct. 1990. The People Before Columbus, American Indian Journal, University of New Mexico, Vol. III; Albuquerque, NM, 1990.
Collections Savannah College of Art & Design, Savannah, GA, 2007 Gene Autry Museum, Los Angeles, CA, 2007 Hood Museum of Art, Dartmouth College, 2007 High Museum of Art, Atlanta, GA, 2006 Library of Congress, Prints and Photographs Division, Washington, D.C., 2005 University of New Mexico Art Museum, Albuquerque, N.M., 2002 Spencer Museum of Art, University of Kansas, Lawrence, KS, 2002 Rockwell Museum of Western Art, Corning, N.Y., 2002 Savannah College of Art & Design/Jen Library, Savannah, GA, 1999 Museum of Modern Art, San Francisco, CA, 1998 Lef Foundation, San Francisco, CA, 1998 American Indian Contemporary Arts, San Francisco, CA, 1997 Joslyn Art Museum, Omaha, NE, 1997 Jonson Gallery/ University of New Mexico, Albuquerque, NM, 1994 Institute of American Indian Arts Museum, Santa Fe, NM, 1991 Museum of Contemporary Photography/Columbia College, Chicago, IL, 1990 |